Post #32

#Chopin: Prelude Op. 28, No. 15,”raindrop” #肖邦：降D大调前奏曲Op. 28, No. 15，“雨滴” 睡到快五点钟才起来，发现外头下大雨。苦闷。 这首曲子听上去更像夜曲。应该说有肖邦个人的幻想风格在，去除掉开头的旋律之后就是绵延不绝的双音敲打，拟造雨滴砸在横梁上面的声音。 乔治·桑记述了萧邦一次弹琴时的一场梦： He saw himself drowned in a lake. Heavy drops of icy water fell in a regular rhythm on his breast, and when I made him listen to the sound of the drops of water indeed falling in rhythm on the roof, he denied having heard it. He was even angry that I should interpret this in terms of imitative sounds. He protested with all his might – and he was right to – against the childishness of such aural imitations. His genius was filled with the mysterious sounds of nature, but transformed into sublime equivalents in musical thought, and not through slavish imitation of the actual external sounds. 他看见他淹在湖里。冰冷的水重重地、有节奏地打在他的胸膛，而当我使他聆听水滴有规律地打在屋顶时，他否认他曾听见这声音。他更为我把它(乐句)视为声音的模仿感到愤怒。他尽所有力量抗议这幼稚的模仿(他是有道理的)。他的天分充满了自然神秘的声音，并将其转换为音乐的见解，而非一味模仿外来的音效。（摘自维基百科） 又一次印证浪漫派音乐诗人的身份，不过这个梦更像贝多芬做的。 并且还有一件事，这首诗也并非是写给雨滴，或者是赞颂大自然之类的老套叙事体裁。“我来，我见。” 但他用不着征服。 https://www.youtube.com/watch?v=6OFHXmiZP38