Второй онлайн-день #DotNext закончился.
В числе прочего был интересный разговор на тему «Страх и ненависть в Open Source», но я вам о некоторых особо заметных случаях рассказывал уже вот тут и тут. Ещё послушал про обратное соединение распиленного монолита (бывает, что и такое нужно!) и ещё пару докладов.
В целом, впечатления противоречивые. Опишу кратко.
Плюсы:
1. Высочайшего качества техническая организация. Ничего не глючило, чистая картинка и звук, удобный UI.
2. Были полезные и практичные вещи, интересные.
3. Реально отвечали на вопросы в чате в реалтайм-режиме.
Что прошло ниже моих ожиданий (я впервые на такой дорогой IT-конференции):
1. Наверное, подсознательно я ожидал что с учётом цены билета буквально каждый доклад будет супер звёздным уровня "Торвальдс лично рассказывает подробности устройства ядра Linux, и делает это с шутками и котиками". Но доклады в среднем довольно обычные. Некоторые поверхностные, другие на очень далёкую от меня тему. И ещё их не очень много, не то, чтоб был гигантский выбор. Хотя, справедливости ради, больше 2-3 лекций в день тяжело осилить.
2. Интерактивные фишки формально заявлены: виртуальные стенды и квизы. По факту, во-первых, стенды и квизы полностью повторяют друг друга, во-вторых, их было всего два, и интересный (на мой личный взгляд) только один. Я ожидал, что их хотя бы десяток будет.
3. Часть обсуждения в Telegram, часть прямо в онлайн-чате лекции, и это, на мой взгляд, не пошло на пользу. Мне не хотелось вступать в Telegram-чат, но активность в основном чате лекции была низкой, при этом с телефона такой чат вообще не подразумевался.
Я для себя убедился, что всё-таки именно мне в таких мероприятиях важна офлайновость: прийти и вживую потусить, получить мерч, поучаствовать в активностях. Чисто в онлайн-формате сугубо на мой взгляд мероприятие себя не окупает. Посмотрим, что будет в офлайне 27-го числа, напишу вам отзыв.
#dev
🍿 'Death of a Unicorn' Breaks the Mold
📆Release: Spring 2025
🎭Genre: #DarkComedy
A24 surprises with Alex Scharfman's directorial debut in this new film. Paul Rudd and Jenna Ortega star as a father and daughter who accidentally hit a unicorn, triggering a series of supernatural events. The plot masterfully blends sharp humor with effective horror.
Expect Will Poulter to steal the show with his natural charisma, while Paul Rudd brings his unmatched charm. I notice nods to classics like Evil Dead, making this a safe bet for genre fans. 🦄
🍿 ‘Nobody 2’: family vacation, bullets and chaos at the waterpark
📆Release: August 15, 2025
🎭Genre: #Action · #DarkComedy
Bob Odenkirk is back as Hutch Mansell, the world’s most overworked assassin, in a sequel that fuses ‘John Wick’ with Chevy Chase’s ‘Vacation’. This time, Hutch tries to unwind with his family at a theme park—until Sharon Stone shows up as a full-blown crime boss and Colin Hanks plays a shady small-town sheriff. Things go to hell, obviously.
Set to the iconic track Holiday Road, the trailer promises more bone-crunching fights, dark humor, and dysfunctional family drama. With Timo Tjahjanto (‘The Night Comes for Us’) directing, expect stylish mayhem and over-the-top action. Oh, and Christopher Lloyd wielding a Gatling gun? That alone makes this the summer movie to watch. It’s gonna be gloriously insane.
🍿 ‘Primate’: The Killer Ape Hollywood Has Been Afraid to Make 🐒🔪
📆Release: January 9, 2026
🎭Genre: #Horror · #DarkComedy
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Johannes Roberts (47 Meters Down, The Strangers: Prey at Night) directs this story about a group of friends enjoying a tropical getaway—until their family pet, a chimp named Ben, goes berserk after being bitten by something mysterious. What follows is ninety minutes of chaos, screams, and blood under the Hawaiian sun. ☀️💉
The trailer leans into the same absurd horror vibe that made M3GAN a hit and clearly nods to the chimp scene from Nope. The blend of terror and comedy is so shameless you’re never sure whether to laugh or hide behind your hands.
A brutal warning about human arrogance in trying to tame the wild… yet also proof that watching a monkey unlock a car with a key fob can be terrifyingly fun. 🧠💀
🍿 ‘One Battle After Another’: DiCaprio leads the revolution in Paul Thomas Anderson’s wildest ride yet
📆Release: September 26, 2025
🎭Genre: #DarkComedy · #Thriller · #Action
Leonardo DiCaprio (The Revenant, The Wolf of Wall Street) plays a chaotic, bathrobe-wearing ex-revolutionary on a desperate mission to find his daughter — and possibly save the world while he's at it. Paul Thomas Anderson (There Will Be Blood, Licorice Pizza) teams him up with Benicio del Toro (Traffic) as his deranged “sensei” and Sean Penn as a grizzled military foe.
Loosely inspired by Thomas Pynchon’s Vineland, this is more spiritual remix than straight adaptation. Shot on 35mm VistaVision with a reported $140M budget, it's Anderson’s most ambitious film yet. 🎬💥
This feels like PTA blending the absurdity of Inherent Vice with the emotional punch of Punch-Drunk Love. DiCaprio looks completely unhinged — and I’m 100% here for it. 🧨
🍿 Caught Stealing: Aronofsky lets loose — and it actually suits him
📆Release: August 29, 2025
🎭Genre: #Thriller · #DarkComedy · #Crime
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Austin Butler is just cat-sitting when things spiral out of control. Suddenly, he’s on the run through a gritty, gangster-infested 1990s New York — with punk neighbors (Matt Smith in a mohawk), Hasidic mobsters, and Zoë Kravitz as his emotional anchor. Aronofsky — yes, Black Swan and The Whale Aronofsky — feels like he binged Snatch and Lucky Number Slevin before directing.
And it works: this doesn’t smell like an existential meltdown, but rather a fast-paced pulp thriller with dirty visuals and dark humor. It’s his least depressing and most fun movie yet, without losing his flair for the grotesque.
📣Best part: the trailer doesn’t spoil everything — finally.
🤔The big question: is this a one-off or a new chapter? Either way, it looks like instant cult material.
🍿 Robert Pattinson Multiplies Himself in 'Mickey 17', Bong Joon Ho's New Madness
📆Release: January 31, 2025
🎭Genre: #ScienceFiction · #DarkComedy
🎟 Bong Joon Ho, the genius behind 'Parasite', returns with 'Mickey 17'. Robert Pattinson multiplies himself, literally!, in this adventure where his character, an 'expendable' (disposable), dies and is cloned over and over again on a mission to colonize an icy planet. 🧊
The most curious thing is the peculiar tone of voice Pattinson has adopted, which already has fans obsessed. Plus, the cast is top-notch: Steven Yeun from 'Minari', Toni Collette from 'Hereditary', and Mark Ruffalo from 'The Avengers'. If 'Parasite' left us speechless, I can't wait to see what Bong brings us this time. 🚀
🍿 The Phoenician Scheme: Benicio del Toro, a Nun, and Six Plane Crashes ✈️😵💫
📆Release: May 30, 2025
🎭Genre: #DarkComedy · #Espionage · #Action
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Wes Anderson (The Grand Budapest Hotel,Asteroid City) is back at his most eccentric: Benicio del Toro leads this visual satire as a bruised and armed tycoon who hands over his empire to his daughter, a knife-wielding nun played by Mia Threapleton (yep, Kate Winslet’s daughter). The cast is wild: Tom Hanks, Bryan Cranston, Richard Ayoade, Scarlett Johansson, Cumberbatch, and even Michael Cera in peak “Wes mode.”
Shot in Germany with a score by Alexandre Desplat, the film oozes Anderson’s signature nostalgic absurdity, but with a sharp rhythm that echoes his best work. Sure, the aesthetic is familiar, but when Wes nails it, it’s not formula, it’s pure style. And this one smells like a full-blown comeback. 🎨💣
🍿‘Send Help’: Sam Raimi Turns a Deserted Island into a Psychological Battlefield 🌴💀
📆Release: January 30, 2026
🎭Genre: #Horror · #DarkComedy · #PsychologicalThriller
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Sam Raimi —the mastermind behind The Evil Dead and the original Spider-Man trilogy— returns to his wildest roots with Send Help, his first non-franchise horror film since Drag Me to Hell. Rachel McAdams (Spotlight, Mean Girls) stars as Linda, an underappreciated employee stranded on an island with her boss from hell, Bradley (Dylan O’Brien, The Maze Runner), after surviving a plane crash. What begins as a survival story quickly turns into a darkly funny, blood-soaked power struggle for dominance.
What fascinates me most is how Raimi flips the hierarchy: the underdog becomes the predator 💪. Many are calling it a mix between Misery, Cast Away, and Triangle of Sadness —but with Raimi’s signature flair: grotesque, frantic, and wickedly fun. McAdams promises a full-on “Regina George in survival mode” performance, and that alone is worth the ticket. Raimi is back, and horror is groovy again.