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Iturburu kanala @venanalysis · Post #2347 · api. 25(a)

🗒️🗣️ INTERVIEW | Heyerde López: ‘Our Challenge Is Staying True as a Left-Wing Organization’ In the latest VA interview, activist Heyerde López reflects on the structural challenges facing grassroots organizing in Venezuela, pointing to the difficulty of sustaining long-term projects while maintaining political coherence. López, a member of "Fundación Nativa Crea" in Guarenas, frames this as a central tension: “The main challenge is staying true to our identity as a left-wing organization,” he says, highlighting mounting economic pressures and contradictions in the relationship between popular power initiatives and state institutions. US sanctions and restrictions on wheat imports forced the closure of the group’s community bakery and café, key nodes in its local production network. The experience underscores how external constraints continue to impact grassroots economic initiatives. The collective is now working to relaunch these projects, with an emphasis on rebuilding communal forms of production and strengthening local productive capacity. Despite these setbacks, "Fundación Nativa Crea" remains embedded in broader networks of communes and social movements, while expanding its work in political education, communications, and grassroots production. Read the full interview here 👉https://venezuelanalysis.com/interviews/heyerde-lopez-our-challenge-is-staying-true-as-a-left-wing-organization/ #Art#Communes#NationalPopularConsultation#PopularPower

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Venezuelanalysis

@venanalysis · Post #2347 · 2026/04/25 (20:21)

🗒️🗣️ INTERVIEW | Heyerde López: ‘Our Challenge Is Staying True as a Left-Wing Organization’ In the latest VA interview, activist Heyerde López reflects on the structural challenges facing grassroots organizing in Venezuela, pointing to the difficulty of sustaining long-term projects while maintaining political coherence. López, a member of "Fundación Nativa Crea" in Guarenas, frames this as a central tension: “The main challenge is staying true to our identity as a left-wing organization,” he says, highlighting mounting economic pressures and contradictions in the relationship between popular power initiatives and state institutions. US sanctions and restrictions on wheat imports forced the closure of the group’s community bakery and café, key nodes in its local production network. The experience underscores how external constraints continue to impact grassroots economic initiatives. The collective is now working to relaunch these projects, with an emphasis on rebuilding communal forms of production and strengthening local productive capacity. Despite these setbacks, "Fundación Nativa Crea" remains embedded in broader networks of communes and social movements, while expanding its work in political education, communications, and grassroots production. Read the full interview here 👉https://venezuelanalysis.com/interviews/heyerde-lopez-our-challenge-is-staying-true-as-a-left-wing-organization/ #Art#Communes#NationalPopularConsultation#PopularPower

Venezuelanalysis

@venanalysis · Post #1869 · 2025/02/04 (21:10)

🆕 NEWS | Venezuelans Vote in Third ‘National Popular Consultation’ to Select State-Funded Projects 🇻🇪 The grassroots electoral process was held in 5,334 communal circuits, where voters chose from over 36,600 proposals. Winning initiatives will receive USD 10,000 and be executed by grassroots collectives. The consultation is the first of six planned for 2025. 🔗 Read the full report here: https://shorturl.at/S90an #Communes#NationalPopularConsultation#PopularPower

Rave me or hate me

@ravemeorhateme · Post #20372 · 2026/02/09 (05:51)

Под впечатлением от музея Востока. Каюсь, была там впервые Очень зашло искусство Ирана. Вернусь на этих выходных, чтобы сразу пойти в этот зал так как больше после двух часов в музее внимание рассеивается, а прекрасного и удивительного бесконечно много 🥰 очень рекомендую! Каждый найдет там азиатскую страну по своему вкусу #art

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Fire walks with me

@Chaoss_flame · Post #15831 · 2026/04/17 (14:42)

Munenori Makino (Japanese Artist, born 1940) "Reflecting the Moon", 1985. Color Woodblock Print, 49.3 × 35.3 cm. Private Collection. #art

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Fire walks with me

@Chaoss_flame · Post #15805 · 2026/04/07 (09:53)

Архангел Гавриил (левая часть диптиха "Благовещение"). Бумага, гуашь, темпера, белила, графитный карандаш. 49x13. Дева Мария (правая часть диптиха "Благовещение"). Бумага, гуашь, темпера, белила, графитный карандаш. 49x11. М.В. Нестеров. 1908 г. Из диптиха . Эскиз росписи пилона церкви Покрова Богородицы Государственная Третьяковская галерея #art

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Fire walks with me

@Chaoss_flame · Post #15761 · 2026/03/19 (10:04)

Elisabeth Sommerville (Canadian, born 1947) "Amazing Grace", 2021. Archival Inkjet Print on Acid-Free Cotton Paper, 16 × 20 inches Private Collection. #art

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Fire walks with me

@Chaoss_flame · Post #15715 · 2026/03/08 (09:26)

Стефани Рью (Stephanie Rew) - современная шотландская художница - одна из моих самых любимых авторов фигуративной живописи. Она пишет гипнотизирующие совершенно женские портреты, где каждая изображенная женщина - древняя богиня или средневековая королева. Рью очень любит использовать золото в своих работах, но пишет так, что золото не утежеляет, а наоборот придает запредельную атмосферу и дает “воздух”. #art

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